August 22, 2009
Dear Diary, Essay, photography
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Berlin was calling. I had to go. Like the years before. When you’ve been to Berlin once before (and ain’t not sick of it already), you just have to return. Every summer this city calls me by a feeling or just by plain Austrian fatigue. Then I book a flight, make no plans and off I go.
This is a short photo-blog-post of my impressions.
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Berlin was calling. I had to go. Like the years before. When you've been to Berlin once before (and ain't not sick of it already), you just have to return. Every summer this city calls me by a feeling or just by plain Austrian fatigue. Then I book a flight, make no plans and off I go.
This is a short photo-blog-post of my impressions.
Berlin needs to be experienced best through the microscope of everyday experiences. Berlin is detail, it is a patchwork of delicacies woven together by stretching alleys and slowly crumbling houses. Berlin is chipped-off paint on pre-war buildings, covered in stickers and iced with graffiti. They look all the same from afar but become more and more discrete the closer one looks.
But don't get lost in the details. Enjoy the sun, enjoy the wind, enjoy the low prices and the smell of coal and smoke in the winter.
Berlin is flat. At least in Google Earth it is. Once you roam the sidewalks they are an uneven terrain for the unassuming traveler flipp
May 8, 2009
Animation, CGI & Rendering, Compositing, Lectures, Random Thoughts, Reports, Technology, filmmaking, games, people, photography, ranting, retro, video
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7:30 am and somebody walks downstairs. Good morning to me. My program for today was mostly about tracking and motion capturing and heavy duty compositing. You might have guessed: It was the day of Benjamin Button.
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7:30 am and somebody walks downstairs. Good morning to me. My program for today was mostly about tracking and motion capturing and heavy duty compositing. You might have guessed: It was the day of Benjamin Button.
After enjoying the breakfast a little too long I was rushing down Königsstraße in my car so I would make it to Pixar's RenderMan presentation. I already knew what it was going to be considering last year ("The Über-Sprite", the rocket, the fast-rendering motion blur) but Pixar is rather generous in handing out posters and presents and I wanted me to get another teapot for my collection [1. ...that consists so far of one Ratatouille-themeded teapot.]. I was too late, the room bursting with people. Obviously, word had spread that you get presents. People can be so greedy. I asked if I could make a reservation for the afternoon but it was in vain.
There I was standing, lacking a teapot and a clue of what I wanted to see instead. I headed to the biggest hall and ended up in "PhotoReal Faci
February 15, 2009
Reports, photography
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Usually I don’t like the winter. It’s cold outside, I am cold, I can’t wear my favorite clothing (hawaii-shirts and flip-flops), I have to dig out the car whenever I want to drive it, then it’s cold in the car and the snow-clots on my trouser legs melt and run into my socks while driving and then I’m cold again.
Still, when I think I can’t take it anymore, it snows again. Heavy flakes tumble in the air before resting on the ground, little by little covering up all the unpleasant details and the dirt, muffle harsh sounds and immerse the open land in innocence and tranquility — right before my window. In these moments of joy and inner peace I linger at the window, sipping my coffee. And then it strikes me: “I gotta take some photos!”
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Stereotypic Winter Photo, originally uploaded by Phil Strahl.
Usually I don't like the winter. It's cold outside, I am cold, I can't wear my favorite clothing (hawaii-shirts and flip-flops), I have to dig out the car whenever I want to drive it, then it's cold in the car and the snow-clots on my trouser legs melt and run into my socks while driving and then I'm cold again.
Still, when I think I can't take it anymore, it snows again. Heavy flakes tumble in the air before resting on the ground, little by little covering up all the unpleasant details and the dirt, muffle harsh sounds and immerse the open land in innocence and tranquility -- right before my window. In these moments of joy and inner peace I linger at the window, sipping my coffee. And then it strikes me: "I gotta take some photos!"
But this year I refrain from taking the same stereotypic winter photos everybody shoots every year (with some exceptions, of course). I wait for a spark of inspiration. Imagination. Whatever.
September 5, 2007
Reports, photography
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Are you looking for something about Stefan Sagmeister’s work? You might want to read
this post! Cheers!
This quote originally comes from Stefan Sagmeister’s little story he told the listeners in his lecture in Salzburg this March and is more or less the motto of my business trip to Salzburg, where I was photographing for the Salzburg Seminar, as you already know. And it was great! Meeting so many very interesting, very nice and very important personalities definitely is as enriching as it is exciting. And it was a good way to brush up my English because of the high intellectual level of the discussions and lectures I had to photograph. Below is a selection of the best photographs just for you. I will release some of them into public domain later on because Wikipedia is missing many of the speakers’ photographs.
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“Having guts always works out for me”
June 21, 2007
Reports, Tutorial, photography
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Some of you might have seen me two days ago roaming around the endless corridors of the campus: Black shirt, shorts, worn flip-flops and a large black camera on a tripod on my shoulder. But why would I take pictures of the boring campus in medium format? Well… why not?
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Some of you might have seen me two days ago roaming around the endless corridors of the campus: Black shirt, shorts, worn flip-flops and a large black camera on a tripod on my shoulder. But why would I take pictures of the boring campus in medium format? Well... why not?
On Tuesday I paid Foto Mayrhofer another visit and did some bulk shopping in photo equipment: Lisa bought some photo paper for her project in staged photography, I got myself two Ilfosol S developer packs, a wire release for my dear Mamiya RB 67 and -most importantly and most urgently- a Manfrotto tripod. Model #055CLB to be precise. And, boy, it wasn't cheap but a bulky medium format camera does need a good tripod.
And finally I was able to shoot long time exposures with the Mamiya which I always anticipated because of the lovely large format of 6 x 7 cm.
A guide to Mamiya RB 67 long time exposures
It wasn't easy finding out about the T setting on the lens. Long time ago I learned that it stands for tempus and is another